Abstarct: War is one of the most complex social phenomena that has a direct destructive effect on the body of the environment. One of the dimensions that can be examined in war is its visual dimension, which is formed by explaining the concept of the scene. In fact, the war scene observes the embodied quality of the war phenomenon as a multidimensional phenomenon. On the other hand, a significant part of the formation of the scene depends on architecture. Therefore, in order to gain a new understanding of the relationship between war and architecture, the analysis of "architecture of war" is baxsed on the concept of the scene. For this purpose, a descxriptive-analytical method baxsed on visual analysis has been used. The visual analysis performed relies on the knowledge of the architectural elements of war, which are placed in the visual forms of their point, line, surface, volume and inseparable elements. Photographs of war (1914-1945) have been used as a means of textual contact in accordance with the components of Jacobsen's theory of communication. The study shows that a new quality of human presence has emerged in the architecture of war scene, which indicates a change in the nature of war. The presence of the warring parties, relying on new tools and warfare, has acquired an abstract quality along with a physical presence on the scene, which ultimately leads to a reduction in human content.